Uryū Ishida (石田 雨竜, Ishida Uryū?) is a Quincy, descendant of a line of priest-like hollow-hunting archers who were historical enemies of the Soul Reapers. He bears a deep grudge against all Soul Reapers, including Ichigo, and is an early antagonist in the series. He comes to view Ichigo differently over time, however, eventually becoming a valuable ally and friendly rival.
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Akatsuki is always a calm person. He's also a peacekeeper in Moon Dorm. Akatsuki holds an unrequited love for Ruka (who views him as her best friend only,) and loyally follows her in whatever path she chooses. He has only lost his patience when Ruka has been in danger and told Kaname Kuran that he would never forgive him if Kaname hurt Ruka. He is incredibly perceptive and is frequently sensitive to others' feelings, most particularly with Aido and Ruka's. He is also loyal and protective, and will never betray his friend
Aidou
Though he appears cheerful and friendly one moment, he can quickly become vindictive and cruel the next and tends to be outspoken, stubborn, reckless, hot-headed and out of line. Though very loyal to Kaname, he has a tendency to overstep his boundaries, which results in Kaname punishing him, if discovered. Aidou was the one that figured out Zero is a vampire, though he keeps this information to himself without any hidden agenda. He is very cunning to uncover many things, like the reason why Kaname's parents were murdered.
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Most episodes are self-contained short stories in which the series narrates the suffering of a different individual caused by one or more antagonists. In general during each arc, the protagonists' dramas are explained in detail from the start of their grudges, through the escalation of their torment until it becomes unbearable and they resort to accessing the Hell Correspondence website. Although in general, the client gives the antagonist a chance, he or she usually ends up pulling the string on his or her doll and sending the antagonist to hell. Once they have pulled the string, before taking the antagonist to hell, Ai Enma punishes the person for his or her sins with the help of her companions.
In the first season, the story soon follows a journalist named Shibata Hajime, a former blackmailer, and his daughter Tsugumi who shares a strange connection with the Hell Girl as they investigate the truth behind the Hell Girl. In the second season, a mysterious young girl from Hell, named Kikuri who is able to travel freely between Earth and the Twilight realm where Ai resides, is introduced. Later, the plot centers around Takuma Kurebayashi, a boy who is blamed by his townsfolk for causing disappearances around the town that are in reality caused by the townsfolk using the Hell Correspondence. In the third season, some time after Ai's death, Kikuri returns to recruit Ai's assistants along with a yokai named Yamawaro, who accepts an old offer from Ai to become her fourth assistant. The story follows Ai's mysterious revival from death and subsequent inhabitation of the body of a young schoolgirl, Yuzuki Mikage.
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Hina Ichigo
The sixth doll, and the very embodiment of childishness. Although she can be ridiculously naïve and selfish, she has nothing but the best intentions for those that she cares about. Her disposition is also a mismatch for her power, which is a series of attacks based on strawberry vines, which she mostly uses to restrain opponents. She loses to Shinku in the Alice Game, becoming the first doll to lose the right to become Alice. Shinku does not beat Hinaichigo outright; the younger doll simply exhausted the energy of her medium, Tomoe. Shinku then warned Hinaichigo that continuing the fight would kill Tomoe, whereupon Hinaichigo renounced the tie that made Tomoe her medium. Despite being the victor, Shinku does not take Hinaichigo's Rosa Mystica. Instead, Shinku lets herself be an inter-medium so that Hinaichigo can tap into Jun's energy. In the latter half of Rozen Maiden träumend, with the Alice Game apparently having begun in earnest, "Father" cuts off this link, so when Hinaichigo uses up what little energy she has, she loses her Rosa Mystica to Shinku. She is the second doll to lose her Rosa Mystica.
In the manga, Hinaichigo is taken from Jun after Odille Fosset, granddaughter of a previous owner of Hinaichigo, arrives at the Sakurada home and displays a ring, thought to be from Hinaichigo, on her finger. Though Jun tells Hinaichigo that she may choose who she wishes to stay with, Hinaichigo apparently does not consciously decide to go with Odille; after awakening from sleep, Hinaichigo is confused to find herself in Odille's room, which she recognizes as that of Odille's grandmother, Corinne. Shortly afterwards, Hinaichigo is ruthlessly destroyed by Kirakishou; after being shown a montage of her loved ones saying goodbye to her and made to feel unloved and alone, Hinaichigo is consumed from the inside out by Kirakishou's rose vines as the seventh doll watches in gleeful anticipation of taking control of her sister's body. Hinaichigo sends her Rosa Mystica to Shinku through Berrybell, her artificial spirit, asking Shinku to use the Rosa Mystica to end the Alice Game. Shinku commends Hinaichigo for her courage to face Kirakishou despite her disadvantage, considering Hinaichigo as a true Rozen Maiden.
Hinaichigo's favorite foods are strawberry daifuku, and Nori's "Hanamaru Hamburger," which is a hamburger patty topped with a fried egg in the shape of a flower. She adores the puppet detective Kun Kun, though her fandom is not as avid as Shinku's. She also loves to draw, as shown often in both seasons of the anime and the OVA. She usually ends her sentences in "na no" (meaning "that's why" or "because" in Japanese), complimentary to Kanaria's "kashira" (meaning "I wonder" or "maybe?"). She also says "uunyuu" out of curiosity.
Kanaria
The second Rozen Maiden doll, who is as adorable as she is eccentric. Not only does she constantly refer to herself in third person, but she also talks about taking her sisters' Rosen Mysticas, though she repeatedly fails in her attempts to do so. She fancies herself as quite the stealthy prowler, and makes a hobby of watching the exploits of her sisters, usually through binoculars. Kanaria's bright, somewhat arrogant disposition makes her the ideal subject for many of the comedic episodes. Despite this, she is a competent opponent and attacks with a violin that can emit particularly destructive sound waves. Her personality mostly complements that of Hinaichigo, who eventually becomes her good friend and rival; they often debate on whose medium is "better," i.e. prettier. In the manga, she visits the Sakurada home more often than in the anime, and even invites Mitsu, her medium, after Hinaichigo is taken by Kirakishou, in order to fulfill the void left by Hinaichigo.
In Rozen Maiden: ouvertüre, the other dolls apparently forgot Kanaria's name most of the time, though in the manga, Hinaichigo admits to Kanaria that she was only kidding.
Kanaria has the unusual habit of ending her sentences with "kashira" ("I wonder?" or "maybe?"), which is likened to Hinaichigo's penchant for ending sentences with "na no" (meaning "Because"). Kanaria's favorite food is tamagoyaki, or Japanese thick omelet, which, more often than not, is snatched away from her by hungry birds before she can enjoy it. She is introduced in the second season and makes a brief appearance in Rozen Maiden: Ouvertüre, making yet another humorously over-the-top attempt to infiltrate Jun's home to steal her sisters' Rosae Mysticae
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HOT,nu există vampiri,sunt fanatici d'ăştia care îşi ascut dinţii,şi trăiesc ca nişte vampiri. Pe bune!
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The primary protagonist of the series, who is arguably an anti-heroine as well. With long, straight black hair and ruby-red eyes and pale skin, she is a spiritual entity with a tragic past, who lives in a place frozen in time as it basks in eternal sunset, along with her grandmother. Through an old computer inside their house, Ai is able to receive the names the clients have typed on the website, and she delivers this revenge. She normally wears a black seifuku, or sailor uniform, but always wears a kimono with floral (or temari, hand-wovern thread balls) designs when delivering the vengeance of a client. Ai started her career as the Hell Girl by her own act of vengeance on the villagers who sentenced her to a sacrificial death as part of their village's tradition. Her eyes, once a deep brown, turned red arguably at the point where Sentarou (her childhood friend and cousin who gave in under the villagers' pressure to bury her alive) gave the first shovel of soil onto her face. She broke out of her grave after a while, and took revenge on the entire village with her wrath, burning it to the ground. Her task of fulfilling other people's vengeance and ferrying people to Hell is her punishment, a task which she had performed for 400 years after that incident. A Spider, which is later revealed to be the God of Hell, gave her new life again and made a pact with her; in exchange for her immortal form, she cannot enter Hell and must remain on the shores of Hell, acting as the deliverer of people's hatred and vengeance. In order to serve these tasks, The God of Hell demanded that Ai forget her own hatred, numbing herself to the sufferings of others and becoming a mere observer of any happenings. If she hadn't this punishment, the souls of her beloved ones would have to forever wander in Hell, lost for eternity. Having no other choice, Ai agreed with the God of Hell and became the Hell Girl.
Although this task is presented as atonement, it is unknown whether she will ever be freed of it. Wanyūdō noted she still had feelings, though, although she did not express them strongly, and it was later revealed that Ai had been ordered to close her heart by the Spider. But the experiences she has with the Shibatas reawakened her discontent with her terrible fate and later apparently reawakened other emotions, or at least Ai's ability to express them. When enraged, Ai demonstrates the ability to hurl great blasts of energy, as well as the power to create elaborate illusions and teleport. She also has the ability to show someone the future of a grudge, as she showed Yuzuki in Episode 16 of Mitsuganae. Though, this ability may be limited to some degree, as Ai was unable to predict her confrontation with the Hell Boy, Gilles de L'enfer.
In the second season, Ai becomes more expressive and shows more emotions, being more willing to interact with her "clients" and victims. She even puts up a "V for Victory" sign in front of her target by way of mocking him as he is dragged to his doom. She had also been seen reading from a fashion magazine while her compatriots watch over their client, and had showed concern towards a mother who willingly ended her life so that her daughter doesn't have to send her to Hell. As she witnesses Takuma Kurebayashi's disheartening persecution, Ai recollects her emotions pertaining to her own wrongful persecution and she defies her 'employer', the God of Hell, and becomes restored to human life, and killed shortly thereafter, when saving Takuma from his tormentors. After Ai's self-sacrifice, her body dissolves into sakura petals and drifts into the sky.
In the third season, Ai return to the series after. In the beginning of the season, she transports another girl, Yuzuki, to a strange illusion and dream state, where Ai possessed her. Eventually, her body is later released during The Six-script Lantern ceremony in her town in which the gate to Hell is temporarily open allowing Ai to be released from her body. Ai eventually reveals to Yuzuki that she is destined to become her successor. Ai disappears without a word after Yuzuki becomes Hell Girl. She returns however, to take the role of Hell Girl once again in order to spare Yuzuki from being sent to Hell.